內(nèi)容描述蘇聯(lián)發(fā)生政變時(shí)，叛變者控制了一個(gè)核子飛彈基地，威脅要攻擊美國(guó)。美國(guó)政府急命阿拉巴馬號(hào)核子潛艇準(zhǔn)備反攻，但就在是否要下達(dá)攻擊令的關(guān)鍵時(shí)刻，潛艇的通訊系統(tǒng)發(fā)生故障，無(wú)法判斷攻擊令的真?zhèn)巍９寺椦莸臐撏е笓]官?zèng)Q定發(fā)射，但新來(lái)的副官華盛頓卻認(rèn)為事關(guān)重大，應(yīng)確定訊息再說(shuō)，不惜為此發(fā)動(dòng)兵變囚禁上司。(By 豆瓣) For better or for worse, Hans Zimmer's Crimson Tide remains one of the defining film scores of the 1990s -- the first and most popular of the electronic action scores that dominated the genre throughout the latter half of the decade, its propulsive, bombastic approach perfectly captures the artifice and soullessness of a Hollywood era dominated by computer-generated effects and genetically engineered stars. Zimmer's frantic, testosterone-fueled melodies embrace function at the expense of form -- there's nothing remotely noteworthy except their sheer relentlessness and visceral intensity. There's no doubting how perfectly this kind of music complements the modern action blockbuster -- whether the previous statement constitutes a ringing endorsement or a scathing indictment depends entirely on the perspective of the reader. 收縮