by John Dougan One of the great bands of the short-lived, New York City-based, late-70s no wave avant-garde punk scene, DNA had what barely amounts to a recording career, yet still managed to produce some crucial music. Originally comprised of guitarist Arto Lindsay, keyboardist Robin Crutchfield, and drummer Ikue Mori, DNAs music was sparse, loud, and noisy — washes of keyboards punctuated by Lindsays atonal, free-form guitar explosions. DNA made their recording debut in 1978 on a sampler of no wave bands produced by Brian Eno (No New York), and, along with being one of the more interesting bands on the record, also exhibited the most promise. By the time they released their first record, Crutchfield had formed a new band, the far less interesting Dark Day, and DNA had replaced him with bassist Tim Wright, an original member of the seminal Cleveland band Pere Ubu. Now a power trio, and with Lindsays guitar the manic focal point of their challenging music, DNA seemed poised to become one of the most exciting bands in American avant-garde rock. Instead, they became increasingly enigmatic, rarely played outside of New York, and never recorded again. After breaking up in 1982, Lindsay formed the exciting Ambitious Lovers, who have released three tremendous albums fusing noise rock with slick pop/soul and Brazilian music (Lindsay is a native of Brazil). He has also produced records for Brazilian superstar Caetano Veloso. Ikue Mori is still performing avant-garde music in her native Japan. In 1993, thanks to John Zorns great Japanese-import label (read: expensive), a DNA CD of previously unavailable live recordings was released.